PERFORMANCES IN ISRAEL
HOW WE BURIED
JOSIF VISSARIONOVICH
Arthur Solomonov
2023
Tragifarce with the participation of Anatoly Bely, Mikhail Shats, Mikhail Umanets, Polina Pakhomova, Boris Repetur, Nikita Oleinikov, Semyon Steinberg.
The nature of fear. Where does it come from? Where is fear born in a person? What do we do when we become afraid?
One large Russian theater decides to stage a bold play about Stalin. The roles have been assigned, the scenery has been installed, and a pre-premiere screening for the media has been scheduled. But it so happened that the President of the Russian Federation turned out to be an invisible spectator of the performance. Through an assistant, he states: “It’s interesting to see how they plan to show my predecessor.”
After angry comments from the Russian President, painful alterations of the play begin to please the rulers of the past and present...
The play was staged under the pseudonym Yuval Ilin.
Production Playhouse.tlv
PERFORMANCES IN RUSSIA
THE BOLSHOI THEATER
LINDA DI CHAMOUNIX
Gaetano Donizetti
2022
The Alpine village of Chamouni in the sun's rays, the pacifying ringing of church bells, the song of a Savoyard to the accompaniment of a hurdy-gurdy - and an aristocratic Parisian salon with basil roofs in the window... All these picturesque pictures become the backdrop for a touching story about the village beauty Linda and her lover, Viscount Charles de Cirval , posing as a poor artist; stories about love and betrayal, Linda's madness and her miraculous healing. To everyone's jubilation in the finale, Charles asks Linda to become his wife.
MOSCOW CHEKHOV ART THEATER
A STREETCAR NAMED DESIRE
A Streetcar Named Desire
2014
Feodori performs masterful turns, carrying along a complex ensemble of actors - Marina Zudina as Blanche, Irina Pegova as her sister Stella, and between them - Stella's husband, the wild Pole Stanley Kowalski, performed by Mikhail Porechenkov. Add to this Mikhail Trukhin in the role of the timid, complex Mitch, and you will appreciate the quite timid will of the director who led this tram.
As is typical for almost his entire generation, Theodori decisively abandoned the experience of previous incarnations of the brilliant play, although he walked through it with rare care.
Alena Karas, Rossiyskaya Gazeta